Anna Efimova indeed stands out as a prominent figure in the art of the Soviet Union, having made a significant contribution to the development of porcelain painting. Her move to Petrograd and education under K.S. Petrov-Vodkin had a profound impact on the formation of her artistic style. Working at the Leningrad Publishing House and creating illustrations for children's books, and later transitioning to work at a porcelain factory where she engaged in painting, opened new horizons for her creativity.

Efimova applied unique methods in her work with porcelain, especially noticeable in her approach to composition and color. Her ability to integrate pictorial and decorative elements into porcelain products made her works particularly valuable and identifiable. She paid special attention to social and political themes, characteristic of Soviet art of that time. Her works reflect significant societal themes such as labor, collective farm life, and social ideals.

The themes and ideas Efimova explored in her art were a reflection of the socio-political context of the era, and her individual style added new dimensions to the porcelain art of the USSR. She was able to combine traditional techniques with innovative approaches, allowing her to create works that left a significant mark on the history of Soviet decorative and applied arts.

Anna Efimova remains an example of an artist whose works not only reflected the spirit of the times but also aspired to create new aesthetic standards in the field of porcelain painting. Her contribution to Soviet art is valued not only through the prism of skill and technical execution but also through her contribution to the development of the ideological content of art in the USSR.