Stella Vengerovskaya
/1892-?/
Stella Vengerovskaya was born in the Semipalatinsk province, growing up in the city of Pavlograd within a merchant family. After completing her studies at the local gymnasium, she ventured abroad to study art at the Academy of Fine Arts in Philadelphia. Upon returning to Yekaterinoslav, she established the city's first art studio.
Vengerovskaya had a strong passion for teaching and shared her artistic knowledge by instructing drawing at the 176th Soviet School and working at the Novokraslak factory. For a period spanning from 1923 to 1926, with a brief break in 1924, she served as an artist at the State Porcelain Factory. During this time, she created a stunning series of decorative drawings, especially focusing on plates, which were later produced in large quantities.
Her artistic achievements garnered recognition not only locally but also internationally. Her works graced numerous exhibitions, gaining prominence at prominent showcases in Paris in 1925 and London in 1932.
Stella Vengerovskaya's artistic style reflected the influence of Alexandra Shchekatikhina-Potocka, another esteemed artist of her time. While exploring similar themes, she skillfully incorporated South Russian and Ukrainian folk elements into her art. Her distinctive technique involved using dots, grids, and strokes, complemented by vibrant colors and picturesque touches.
Among her most famous creations are plates featuring a girl in snow-covered revolutionary Petrograd, along with captivating pieces like "Girl and Bandurist," "Red Rider," "Star," "Chronicler," and trays named "Blind Bandurists." Stella Vengerovskaya's art stands as a lasting testament to her remarkable talent and creative vision.